The two miraculous events in the life of Moshe Rabbeinu have been calling me to paint them for a long time.

The first—Moshe in the basket: a tender infant sent upon the Nile under Pharaoh’s cruel decree, which commanded that all newborn boys be cast into the water. Yet דווקא from within this great danger comes salvation—when Pharaoh’s daughter reaches out, lifts him from the water, and he is raised in the royal palace itself.

The second—Moshe and the Burning Bush: Moshe, fleeing from Pharaoh’s sword, finds himself in the desert before a breathtaking and incomprehensible sight—a bush aflame, yet not consumed. There, in a moment of Divine revelation, he receives his mission to return to Egypt and lead the redemption of the Jewish people.

These moments, so unique and profound—taking place even before we became a nation—filled me with both deep emotion and a strong sense of responsibility: Is it right to paint them? And if so, how can such elevated moments be expressed in a personal artistic language?

דווקא in recent days, during the preparations for Yom Tov and as we approach the month of Nissan—a time of redemption—together with the complex reality in Eretz Yisrael, where we continually witness protection and open miracles, everything came together for me.

My awareness deepened that “Ein Od Milvado”—that Hashem guides both past and present, weaving every detail and leading all of reality toward the ultimate redemption. Every event, small or great, is part of a precise and perfect process.

From this place of connection, I found the strength to paint these two moments.

I chose to combine a realistic style with the soft, refined modern line that I have been developing in recent years—allowing the viewer to experience both the physical reality and the deeper spiritual dimension beyond it.